Tato práce se zaměřuje na analýzu nepochopení dvou románů a filmů: Americké
psycho (1991) Bretta E. Ellise a Klubu rváčů (1996) Chucka Palahniuka. Tato studie
se zaměřuje na funkci nespolehlivého vypravěče v těchto dílech a na to, jak působí na
široké publikum. Silný důraz je kladen také na online sféru a na to, jak tato dvě díla
jsou nepochopena určitými publiky a také jak jsou ústřední témata těchto děl
přehlížena. Analýza těchto nepochopení poukazuje na to, že v online sféře se mohou
vyskytnout nebezpečné důsledky pro jedince, které vedou k ideologické radikalizaci.
Anotace v angličtině
This thesis focuses on the analysis of the misunderstandings of two novels and films:
American Psycho (1991) by Brett E. Ellis and Fight Club (1996) by Chuck Palahniuk.
This study focuses on the unreliable narration of these works and how it affects the
audiences at large. Heavy focus also lies upon the online sphere of how these two
works are appropriated by certain audiences and how the central themes of these
works are overlooked. The analysis of the misunderstandings points out that there may
be dangerous implications for individuals in the online sphere that lead to
ideological radicalization.
Tato práce se zaměřuje na analýzu nepochopení dvou románů a filmů: Americké
psycho (1991) Bretta E. Ellise a Klubu rváčů (1996) Chucka Palahniuka. Tato studie
se zaměřuje na funkci nespolehlivého vypravěče v těchto dílech a na to, jak působí na
široké publikum. Silný důraz je kladen také na online sféru a na to, jak tato dvě díla
jsou nepochopena určitými publiky a také jak jsou ústřední témata těchto děl
přehlížena. Analýza těchto nepochopení poukazuje na to, že v online sféře se mohou
vyskytnout nebezpečné důsledky pro jedince, které vedou k ideologické radikalizaci.
Anotace v angličtině
This thesis focuses on the analysis of the misunderstandings of two novels and films:
American Psycho (1991) by Brett E. Ellis and Fight Club (1996) by Chuck Palahniuk.
This study focuses on the unreliable narration of these works and how it affects the
audiences at large. Heavy focus also lies upon the online sphere of how these two
works are appropriated by certain audiences and how the central themes of these
works are overlooked. The analysis of the misunderstandings points out that there may
be dangerous implications for individuals in the online sphere that lead to
ideological radicalization.
This thesis aims to explore the ambiguity of transgressive novels American Psycho and Fight Club and the effects of their unreliable narrators on their audiences. The thesis is especially interested in the controversies surrounding the interpretations of the novels' relationships with violence or anti-social actions in general.
Zásady pro vypracování
This thesis aims to explore the ambiguity of transgressive novels American Psycho and Fight Club and the effects of their unreliable narrators on their audiences. The thesis is especially interested in the controversies surrounding the interpretations of the novels' relationships with violence or anti-social actions in general.
Seznam doporučené literatury
IRWIN, WILLIAM. "‘Fight Club’, Self-Definition, and the Fragility of Authenticity.” Revista Portuguesa de Filosofia, vol. 69, no. 3/4, 2013, pp. 673–84. JSTOR, http://www.jstor.org/stable/23785885. Giroux, Henry A. "Private Satisfactions and Public Disorders: ‘Fight Club’, Patriarchy, and the Politics of Masculine Violence.” JAC, vol. 21, no. 1, 2001, pp. 1–31. JSTOR, http://www.jstor.org/stable/20866386. Schoene, Berthold. "SERIAL MASCULINITY: PSYCHOPATHOLOGY AND OEDIPAL VIOLENCE IN BRET EASTON ELLIS’S ‘AMERICAN PSYCHO.’” Modern Fiction Studies, vol. 54, no. 2, 2008, pp. 378–97. JSTOR, http://www.jstor.org/stable/26287627. Ellis, Bret Easton. American Psycho. Picador, 2015. Palahniuk, Chuck. Fight Club. Vintage, 1992.
Seznam doporučené literatury
IRWIN, WILLIAM. "‘Fight Club’, Self-Definition, and the Fragility of Authenticity.” Revista Portuguesa de Filosofia, vol. 69, no. 3/4, 2013, pp. 673–84. JSTOR, http://www.jstor.org/stable/23785885. Giroux, Henry A. "Private Satisfactions and Public Disorders: ‘Fight Club’, Patriarchy, and the Politics of Masculine Violence.” JAC, vol. 21, no. 1, 2001, pp. 1–31. JSTOR, http://www.jstor.org/stable/20866386. Schoene, Berthold. "SERIAL MASCULINITY: PSYCHOPATHOLOGY AND OEDIPAL VIOLENCE IN BRET EASTON ELLIS’S ‘AMERICAN PSYCHO.’” Modern Fiction Studies, vol. 54, no. 2, 2008, pp. 378–97. JSTOR, http://www.jstor.org/stable/26287627. Ellis, Bret Easton. American Psycho. Picador, 2015. Palahniuk, Chuck. Fight Club. Vintage, 1992.