Informace o kvalifikační práci Numerický systém v elektroakustické hudební kompozici, zvukové difúzi a ovládání struktury videa se zaměřením na systémy starověké Číny - Nebeské kmeny a Pozemské větve.
- Všechny požadované údaje o této VŠKP jsou vyplněny.
Hlavní téma
Numerický systém v elektroakustické hudební kompozici, zvukové difúzi a ovládání struktury videa se zaměřením na systémy starověké Číny - Nebeské kmeny a Pozemské větve.
Hlavní téma v angličtině
Numerical system in spatial music composition, sound diffusion and controlling video(s) structure development process - Focus on ancient Chinese Celestial stem (decimal cycle) and Earthly Branches (duodecimal cycle) system.
Název dle studenta
Numerický systém v elektroakustické hudební kompozici, zvukové difúzi a ovládání struktury videa se zaměřením na systémy starověké Číny - Nebeské kmeny a Pozemské větve.
Název dle studenta v angličtině
Numerical system in spatial music composition, sound diffusion and controlling video(s) structure development process - Focus on ancient Chinese Celestial stem (decimal cycle) and Earthly Branches (duodecimal cycle) system.
The main purpose of this research was to find ways of applying ancient Chinese numerical systems: Wu Xing, Yin Yang, Bagua, Celestial stem and Earthly Branches to music, visual composition and 3D (full-sphere) sound diffusion over Ambisonic. The numerical system is diffusely applied to many different fields such as medicine, Feng Shui and Chinese fortune-telling. Each component worked very simply and directly individually; however, when they worked together, they could be very complex. It had a very high potential for building up the methods for sonic and visual composition with spatial sound diffusion by its semi-indeterminacy, flexible and accurate characters. Secondly, carefully analysing selected audiovisual masterpieces, researching synesthesia art and Ma (), in order to apply the aesthetic elements to the system, made it more comprehensive, not only providing the method for composition and diffusion but also including artistic value.
The results of this research could be used to find how the previously mentioned numerical system contributed to the compositional process for both video and sonic parts as well as spatial sound diffusion. The findings may be useful in creating sonic, visual and audio-visual artworks for both live performances on the stage and fixed media installation in the gallery.
Anotace v angličtině
The main purpose of this research was to find ways of applying ancient Chinese numerical systems: Wu Xing, Yin Yang, Bagua, Celestial stem and Earthly Branches to music, visual composition and 3D (full-sphere) sound diffusion over Ambisonic. The numerical system is diffusely applied to many different fields such as medicine, Feng Shui and Chinese fortune-telling. Each component worked very simply and directly individually; however, when they worked together, they could be very complex. It had a very high potential for building up the methods for sonic and visual composition with spatial sound diffusion by its semi-indeterminacy, flexible and accurate characters. Secondly, carefully analysing selected audiovisual masterpieces, researching synesthesia art and Ma (), in order to apply the aesthetic elements to the system, made it more comprehensive, not only providing the method for composition and diffusion but also including artistic value.
The results of this research could be used to find how the previously mentioned numerical system contributed to the compositional process for both video and sonic parts as well as spatial sound diffusion. The findings may be useful in creating sonic, visual and audio-visual artworks for both live performances on the stage and fixed media installation in the gallery.
Klíčová slova
Music Composition, Algorithmic Composition, Contemporary Music, Audiovisual Art, Video Art, Performing Art, Numerical System, Asian Art, Spatial Effect, Multichannel Composition, Sonic Art, Spatial Diffusion, Sound Installation, Sound Sculpture, Ambisonic
Klíčová slova v angličtině
Music Composition, Algorithmic Composition, Contemporary Music, Audiovisual Art, Video Art, Performing Art, Numerical System, Asian Art, Spatial Effect, Multichannel Composition, Sonic Art, Spatial Diffusion, Sound Installation, Sound Sculpture, Ambisonic
Rozsah průvodní práce
170 p. (196127 znaků)
Jazyk
AN
Anotace
The main purpose of this research was to find ways of applying ancient Chinese numerical systems: Wu Xing, Yin Yang, Bagua, Celestial stem and Earthly Branches to music, visual composition and 3D (full-sphere) sound diffusion over Ambisonic. The numerical system is diffusely applied to many different fields such as medicine, Feng Shui and Chinese fortune-telling. Each component worked very simply and directly individually; however, when they worked together, they could be very complex. It had a very high potential for building up the methods for sonic and visual composition with spatial sound diffusion by its semi-indeterminacy, flexible and accurate characters. Secondly, carefully analysing selected audiovisual masterpieces, researching synesthesia art and Ma (), in order to apply the aesthetic elements to the system, made it more comprehensive, not only providing the method for composition and diffusion but also including artistic value.
The results of this research could be used to find how the previously mentioned numerical system contributed to the compositional process for both video and sonic parts as well as spatial sound diffusion. The findings may be useful in creating sonic, visual and audio-visual artworks for both live performances on the stage and fixed media installation in the gallery.
Anotace v angličtině
The main purpose of this research was to find ways of applying ancient Chinese numerical systems: Wu Xing, Yin Yang, Bagua, Celestial stem and Earthly Branches to music, visual composition and 3D (full-sphere) sound diffusion over Ambisonic. The numerical system is diffusely applied to many different fields such as medicine, Feng Shui and Chinese fortune-telling. Each component worked very simply and directly individually; however, when they worked together, they could be very complex. It had a very high potential for building up the methods for sonic and visual composition with spatial sound diffusion by its semi-indeterminacy, flexible and accurate characters. Secondly, carefully analysing selected audiovisual masterpieces, researching synesthesia art and Ma (), in order to apply the aesthetic elements to the system, made it more comprehensive, not only providing the method for composition and diffusion but also including artistic value.
The results of this research could be used to find how the previously mentioned numerical system contributed to the compositional process for both video and sonic parts as well as spatial sound diffusion. The findings may be useful in creating sonic, visual and audio-visual artworks for both live performances on the stage and fixed media installation in the gallery.
Klíčová slova
Music Composition, Algorithmic Composition, Contemporary Music, Audiovisual Art, Video Art, Performing Art, Numerical System, Asian Art, Spatial Effect, Multichannel Composition, Sonic Art, Spatial Diffusion, Sound Installation, Sound Sculpture, Ambisonic
Klíčová slova v angličtině
Music Composition, Algorithmic Composition, Contemporary Music, Audiovisual Art, Video Art, Performing Art, Numerical System, Asian Art, Spatial Effect, Multichannel Composition, Sonic Art, Spatial Diffusion, Sound Installation, Sound Sculpture, Ambisonic
Zásady pro vypracování
The main purpose of this essay is to find ways of applying ancient Chinese numerical system: Wu Xing, Yin Yang, Bagua, Celestial stem and Earthly Branches to music and visual composition. The numerical system diffusely applies to many different fields such as medical, Feng Shui and Chinese fortune telling. Each component works very simple and direct individually; however, when they work together, they can be very complex. It has a very high potential for building up the methods for sonic and visual composition by it 2019´s indeterminacy, flexible and accurate characters.
The results of this research can be used to find how the previous mentioned numerical system contributes the compositional process for both video and sonic part. The findings may be useful in creating sonic, visual and audio-visual artworks.
Zásady pro vypracování
The main purpose of this essay is to find ways of applying ancient Chinese numerical system: Wu Xing, Yin Yang, Bagua, Celestial stem and Earthly Branches to music and visual composition. The numerical system diffusely applies to many different fields such as medical, Feng Shui and Chinese fortune telling. Each component works very simple and direct individually; however, when they work together, they can be very complex. It has a very high potential for building up the methods for sonic and visual composition by it 2019´s indeterminacy, flexible and accurate characters.
The results of this research can be used to find how the previous mentioned numerical system contributes the compositional process for both video and sonic part. The findings may be useful in creating sonic, visual and audio-visual artworks.
Seznam doporučené literatury
BARTHES, R.: Mythologies. (English translation), New York: Hill and Wang, 1972, ISBN 9780809013692
ERNO, L.: Béla Bartók: An Analysis of His Music. London: Kahn and Averill, 1971, ISBN 9781871082753
GROUT, D. J. and PALISCA C.V.: A History of Western Music 5th ed. New York: W. W. Norton and Company 1996, ISBN 9780393969047
HARLEY, M. A.: Space and Specialization in Contemporary Music: History and Analysis, Ideas and Implementations. Ph.D. Dissertation McGill University, School of Music, Montreal, Quebec, Canada, 1994, ISBN dizertační práce
HOWAT, R.: Debussy in Proportion: A musical analysis. England: Cambridge University Press, 1983, ISBN 9780521232821
KOSTELANETZ, R.: Conversing with Cage. New York: Limelight Editions, 1988, ISBN 9780711918467
KOSTELANETZ, R.: John Cage Köln: M. DuMont Schauberg, 1973, ISBN-10 0713902108
KOSTKA, S.: Materials and Techniques of 20th Century Music x 201 d; (Third edition). USA: University of Texas at Austin. 2006, ISBN 9780131930803
LATENER, T. and Leon R.: The Illustrated Encyclopedia of Confucianism, Vol. 2. New York: Rosen Publishing Group, 2005, ISBN 0823940810
LATENER, T. and LEON R.: The Illustrated Encyclopedia of Confucianism, Vol. 2. New York: Rosen Publishing Group, 2005, ISBN-13: 9780823940813
LIN, Y.T.: Chinese-English Dictionary of modern usage. Hong Kon: Hong Kong Chinese University, 1973 ISBN 0070996954
LO, R.: Fengshui and Destiny. England: Tynron Press, 1992, ISBN 9781856460262
MESSIAEN, O.: Technique de mon langage musical (The technique of my musical language). Paris: Leduc. 1944, ISBN 979-0046202261
PALISCA, C. V. and GROUT D.J.: Anthology of Western Music (ninth edition). USA: NORTON. 2012, ISBN-13 978-0393918298
PRITCHETT, J.: The Music of John Cage, England: Cambridge University Press, 1993, ISBN 9780521416214
RATAJ, M.: Electroacosutic music and selected concepts of radio art Friedberg: PFAU-Verlag, saarbrücjen, 2010, ISBN 978-3-89727-405-1
RUTT, R. 1996. The Book of Changes (Zhouyi) A Bronze Age Document. Richmond: Curzon, 1996, ISBN-10 070071491X
SUN, X. and KISTEMAKET J.: The Chinese Sky During the Han. The Netherland : Koninklijke Brill, Leiden, 1997 ISBN-13 9789004107373
VALLEE, E. R.: Wu Xing, Five element. USA: Redwing Book Co, 2009 ISBN-10 1872468098
WILHEKN, R., BAYNES C. The I Ching or Book of Changes. USA: Princeton University Press. 1962 ISBN 9781465578679
WISHAR, T.: On sonic art. England: Harwood academic publisher, 1996, ISBN-13 978-0823940813
XENAKIS, I.: Formalized Music: Thought and Mathematics in Composition. Hillsdale, NY: Pendragon Press. 1971 ISBN 9780253323781
ZAI, J.: Taoism and Science: Cosmology, Evolution, Morality, Health and more Australia: Ultravisum, 2015, ISBN 9780980842555
Seznam doporučené literatury
BARTHES, R.: Mythologies. (English translation), New York: Hill and Wang, 1972, ISBN 9780809013692
ERNO, L.: Béla Bartók: An Analysis of His Music. London: Kahn and Averill, 1971, ISBN 9781871082753
GROUT, D. J. and PALISCA C.V.: A History of Western Music 5th ed. New York: W. W. Norton and Company 1996, ISBN 9780393969047
HARLEY, M. A.: Space and Specialization in Contemporary Music: History and Analysis, Ideas and Implementations. Ph.D. Dissertation McGill University, School of Music, Montreal, Quebec, Canada, 1994, ISBN dizertační práce
HOWAT, R.: Debussy in Proportion: A musical analysis. England: Cambridge University Press, 1983, ISBN 9780521232821
KOSTELANETZ, R.: Conversing with Cage. New York: Limelight Editions, 1988, ISBN 9780711918467
KOSTELANETZ, R.: John Cage Köln: M. DuMont Schauberg, 1973, ISBN-10 0713902108
KOSTKA, S.: Materials and Techniques of 20th Century Music x 201 d; (Third edition). USA: University of Texas at Austin. 2006, ISBN 9780131930803
LATENER, T. and Leon R.: The Illustrated Encyclopedia of Confucianism, Vol. 2. New York: Rosen Publishing Group, 2005, ISBN 0823940810
LATENER, T. and LEON R.: The Illustrated Encyclopedia of Confucianism, Vol. 2. New York: Rosen Publishing Group, 2005, ISBN-13: 9780823940813
LIN, Y.T.: Chinese-English Dictionary of modern usage. Hong Kon: Hong Kong Chinese University, 1973 ISBN 0070996954
LO, R.: Fengshui and Destiny. England: Tynron Press, 1992, ISBN 9781856460262
MESSIAEN, O.: Technique de mon langage musical (The technique of my musical language). Paris: Leduc. 1944, ISBN 979-0046202261
PALISCA, C. V. and GROUT D.J.: Anthology of Western Music (ninth edition). USA: NORTON. 2012, ISBN-13 978-0393918298
PRITCHETT, J.: The Music of John Cage, England: Cambridge University Press, 1993, ISBN 9780521416214
RATAJ, M.: Electroacosutic music and selected concepts of radio art Friedberg: PFAU-Verlag, saarbrücjen, 2010, ISBN 978-3-89727-405-1
RUTT, R. 1996. The Book of Changes (Zhouyi) A Bronze Age Document. Richmond: Curzon, 1996, ISBN-10 070071491X
SUN, X. and KISTEMAKET J.: The Chinese Sky During the Han. The Netherland : Koninklijke Brill, Leiden, 1997 ISBN-13 9789004107373
VALLEE, E. R.: Wu Xing, Five element. USA: Redwing Book Co, 2009 ISBN-10 1872468098
WILHEKN, R., BAYNES C. The I Ching or Book of Changes. USA: Princeton University Press. 1962 ISBN 9781465578679
WISHAR, T.: On sonic art. England: Harwood academic publisher, 1996, ISBN-13 978-0823940813
XENAKIS, I.: Formalized Music: Thought and Mathematics in Composition. Hillsdale, NY: Pendragon Press. 1971 ISBN 9780253323781
ZAI, J.: Taoism and Science: Cosmology, Evolution, Morality, Health and more Australia: Ultravisum, 2015, ISBN 9780980842555