Hlavnou témou diplomovej práce je fenómen inscenovanej fotografie. Inscenácia, ako forma vytvárania si novej reality. Cieľom práce je celkový prehľad vytvárania umeleckého diela, novej reality umelca. Hlavným zámerom je sústrediť sa nie len na fyzickú stránku procesu tvorenia, inscenovanie scény, avšak aj podanie svedectva o mentálnej stránke, spôsobe myslenia.
Anotace v angličtině
The diploma work is about the phenomenon of staging. Staging as the way of creating a new reality. The aim of the work, is to provide a complete overlook on a matter of creating a work of art, artist's new reality. The main intention is to focus not only on the physical aspect of the process, constructing of the scene, however including the process of thinking.
Hlavnou témou diplomovej práce je fenómen inscenovanej fotografie. Inscenácia, ako forma vytvárania si novej reality. Cieľom práce je celkový prehľad vytvárania umeleckého diela, novej reality umelca. Hlavným zámerom je sústrediť sa nie len na fyzickú stránku procesu tvorenia, inscenovanie scény, avšak aj podanie svedectva o mentálnej stránke, spôsobe myslenia.
Anotace v angličtině
The diploma work is about the phenomenon of staging. Staging as the way of creating a new reality. The aim of the work, is to provide a complete overlook on a matter of creating a work of art, artist's new reality. The main intention is to focus not only on the physical aspect of the process, constructing of the scene, however including the process of thinking.
1. Definition, analyse and comparison of Fine Art Photography and Staged Photography
2. Perception of reality, plurality of realities
3. Subjectivity vs. objectivity
4. The art of imagination
5. Extrinsic and intrinsic causes of creativity in the field of Photography
6. Interview with selected artists ( study and analyse materials in relation to the topic )
7. Study and analyse of sources and publications in a relation to the topic
Zásady pro vypracování
1. Definition, analyse and comparison of Fine Art Photography and Staged Photography
2. Perception of reality, plurality of realities
3. Subjectivity vs. objectivity
4. The art of imagination
5. Extrinsic and intrinsic causes of creativity in the field of Photography
6. Interview with selected artists ( study and analyse materials in relation to the topic )
7. Study and analyse of sources and publications in a relation to the topic
Seznam doporučené literatury
Cotton Charlotte. The Photography as Contemporary Art. Thames and Hudson. 2009
Sontag Susan. On Photography. Penguin Books. 1977
Hans-Michael Koetzle. 50 Photo Icons. The Story Behind The Pictures. Taschen. 2011
Simonton, D. K. Creativity in Western civilisation: Extrinsic and intrinsic causes. American Anthropologist, 1981
Jerry L. Thomson. Truth and Photography: Notes on Looking and Photographing, Ivan R. Dee, 2003
Jonah Lehrer. Imagine. Houghton Mifflin Harcourt, 2012
John Berger. Ways of Seeing. Penguin Modern Classics, 2008
Michael A. Kohler. Constructed Realities: Art of Staged Photography, Edition Stemmle. 1995
Graham Clarke. The Photograph: A visual and Cultural History. Oxford Paperbacks, 1997
Seznam doporučené literatury
Cotton Charlotte. The Photography as Contemporary Art. Thames and Hudson. 2009
Sontag Susan. On Photography. Penguin Books. 1977
Hans-Michael Koetzle. 50 Photo Icons. The Story Behind The Pictures. Taschen. 2011
Simonton, D. K. Creativity in Western civilisation: Extrinsic and intrinsic causes. American Anthropologist, 1981
Jerry L. Thomson. Truth and Photography: Notes on Looking and Photographing, Ivan R. Dee, 2003
Jonah Lehrer. Imagine. Houghton Mifflin Harcourt, 2012
John Berger. Ways of Seeing. Penguin Modern Classics, 2008
Michael A. Kohler. Constructed Realities: Art of Staged Photography, Edition Stemmle. 1995
Graham Clarke. The Photograph: A visual and Cultural History. Oxford Paperbacks, 1997