This course is based on a clearly individual approach and is based on the needs of individual students according to their focus on a specific topic of the bachelor's thesis in the field. During two semesters, the studio intensively consults the practical part of the bachelor's thesis and its written defense and from the introductory seminars, when the basic principles for the elaboration of the bachelor's thesis are set, which he develops in cooperation with the course Bachelor Thesis Seminar I, II. Throughout the academic year, he gradually realizes his topic up to to the final phase, which is presented in the state final exams. In addition to consultations on the actual implementation and written defense of the bachelor's thesis, the student is recommended professional literature related to the topic of the bachelor's thesis, as well as personalities of theorists, curators or artists who could provide further stimulating consultations, study material and information on the topic. The course is focused on quality and timely processing of the final bachelor's thesis, with primary emphasis for practical output, but with a parallel plan for the development of theoretical work.
The gained capabilities constitute an encompassment and an aquirement of knowledge and experience in the subject and are aimed at a profile´s fulfilment of the graduate of the given field of study.
|
-
Armstrong, Helen. Graphic design Theory: readings from the field. New York: Princeton Architectural Press, 2009.
-
Bohatec, M. Konstruktivistická teorie knižní tvorby. Estetika, Praha, 1964.
-
Garr, Reynolds. Prezentace a zen. Zoner Press Brno, 2009.
-
Hillner, Matthias. Virtual typography. Lausanne, Switzerland: AVA Publishing, 2009.
-
Hoeks, Henk and Ewan Lentjes. The Triumph of Typography: Culture. Communication. New Media. London: Lannoo Publishers, 2015.
-
Kočička, Pavel; Blažek, Filip. Praktická typografie. Computer press, 2000.
-
Kolektiv autorů. Graphic design: Now in production. NY: Walker Art Center/Cooper-Hewitt National Design Museum, 2011.
-
Lupton, Ellen. Thinking with typ: a critical guide for designers, writers, editors, students. New York: Princeton Architectural Press, 2010.
-
Martens, Karel; Jaap van Triest & Robin Kinross (ed.). Printed matter = Drukwerk. London: Hyphen Press, 2010.
-
Muzika, František. Krásné písmo. Paseka, 2005.
-
PECINA, M. Knihy a typografie. Brno, 2011.
-
Poynor, Rick. Design without boundaries: visual communication in transition. London: Booth-Clibborn, 1998.
-
Poynor, Rick. No more rules: graphic design and postmodernism. Mini ed. London: Laurence King, 2013.
|