The course is focused on the analysis of the essential components of a critical assessment of works of art. It will be focused on three basic areas: 1. The definition of art criticism as a specific kind of activity, historic transformations and its relation to the aesthetic assessment in general. 2. The issue of ontological status of works of art. What type of entity is a work of art? 3. The issue of the establishment of critical judgment, the basis of criteria defended using a critical judgment? Is it possible to distinguish between "right" and "wrong" assessment work of art? What theoretical consequences would be negative answer to this question? The basic texts of the world aesthetics will be analyzed in detail, offering a variety of ways how to response to above mentioned questions.
a) Students should be able to classify a specific topic (phenomenon) in the context and period of time. Furthermore, they should know and interpret works of important personalities, both in historical context and in terms of current theories. They should be able to interpret academic source texts. This interpretation should be factually and logically structured and formulated. b) Learning outcomes (acquired knowledge and skills: Knowledge of basic academic issues and formal aesthetics. Analysis and interpretation of the theme, text analysis. Ability to write clearly structured and formulated factual text related to aesthetic. Structure of the text: annotation in Czech, key words in Czech, annotation in English, key words in English, Introduction: topic presentation, thesis (basic thesis is based on the reading of source text, analysis of themes: work with secondary literature, making thesis complicated, conclusion: basic thesis verification, list of literature.
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Barthes, R. Co to je kritika? In. Kritický sborník, ročník 14, č. 1. Praha, 1664.
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Barthes, R. Kritika a pravda. In. Kritika a pravda. dauphin, Praha, 1997. ISBN 80-86019-53-5.
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Barthes, R. Smrt autora. In. Aluze No. 3. Olomouc, 2006.
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Černý, V. Co je kritika, co není a k čemu je na světě. Brno, 1967.
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Eliot, T., S. O básnictví a básnících (eseje:?Tradice a individuální talent?, ?Dokonalý kritik?, ?Funkce kritiky?, ?Hranice kritiky?, ?Jak kritizovat kritika?). Odeon, Praha, 1991.
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Fish, S. Jak je to tu s textem? In. Aluze No.3. Olomouc, 2002.
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Hirsch, E.D. Objective Interpretation. In. Validity in Interpretation. New York and London, Yale University Press, 1967.
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Hume, D. O normě vkusu. In. Aluze, No. 2. Olomouc, 2002.
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Pepper, S., C. ., Aesthetic object, In. The Journal of Philosophy, Vol. 15, No. 18. 1943.
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Šalda, F. X. Kritické glosy k nové poezii české. 1937.
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Walton, K., L. Kategorie umění. In. Umění, krása, šeredno: Texty z estetiky 20. století. Karolinum, Praha, 2003. ISBN 80-246-0540-6.
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Wellek, R. Literární kritika: termín a pojetí, In, Koncepty literární vědy. Jinočany, H&H, 2005. ISBN 80-7319-037-0.
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