JAN EVANGELISTA PURKYNĚ UNIVERSITY IN ÚSTÍ NAD LABEM
Study programmes & Course catalogue
JAN EVANGELISTA PURKYNĚ UNIVERSITY IN ÚSTÍ NAD LABEM
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Course: Studio and Workshops II - semestral project

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Course title Studio and Workshops II - semestral project
Course code KFO/831
Organizational form of instruction no contact
Level of course Master
Year of study 1
Frequency of the course Each academic year
Semester Summer
Number of ECTS credits 8
Language of instruction English
Status of course Compulsory
Form of instruction unspecified
Work placements unspecified
Recommended optional programme components None
Course availability The course is available to visiting students
Lecturer(s)
  • Krupa Martin, MgA.
  • Hájková Barbora, MgA. DiS.
  • Kolečková Zdena, prof. Mgr. Ph.D.
Course content
These informations are in the annotation of the course.

Learning activities and teaching methods
unspecified, unspecified, unspecified
Learning outcomes
The master's degree course focuses on both developing professional skills enabling graduates to compete the hard business of commercial photography, and on developing talents in the sphere of free photographic creation. The course content is based on a supposition that the student has already managed all basic spheres of photography during the bachelor's degree course, and therefore, the programme is especially dedicated to evolving students' personalities - assigned tasks are selected to initiate independent and creative approach to solve them. Moreover, the construction of the education scheme anticipates the graduate's possible future role in a managerial position, such as the art director of advertising or communication agency, the director of a publishing or editing house, an organizer of a visual-sociological research, etc. At the same time, it gives students the ability of basic theoretical reflection of their artistic activity, as well as the ability to interpret and critically review work of other artists.
The gained capabilities constitute an encompassment and an aquirement of knowledge and experience in the given field of study, they result from a concrete annotation of the subject and are aimed at a profile´s fulfilment of the graduate of the given field of study.
Prerequisites
Successful completion of the previous study

Assessment methods and criteria
unspecified
1. Realization and presentation of the final work according to the assigned theme 2. Defence of the final work in writing 3. Oral defence of the final work as part of the defence procedures 4. Credit for Studio and Workshops course
Recommended literature
  • Baldwin, G. Looking at Photographs, a Guide to Technical Terms. J. P. Getty Museum, Malibu, 1991.
  • Barthes, Roland. "The Death of the Author" in. Image, Music, Text. Fontana Press, 1977.
  • Bishop, Claire. Installation art: a critical history. 2005. ISBN 978-1854375186.
  • Bolton, R. (ed.). Contest of Meaning. Critical History of Photography. MIT Press, 1989.
  • Bourriaud, N. Altermodern. Tate, London, 2009.
  • Bourriaud, N. Postproduction. Lukas and Sternberg, 2007.
  • Bourriaud, Nicolas. Relational Aesthetic. Paris: Les Presse Du Reel, 1998. ISBN 2840660601.
  • Bradley, W.; Esche, Ch. (eds.). Art and Social Change. Tate Publishing, London, 2007.
  • BROUGHER, K., MATTIS, O., STRICK, J., WISEMAN, A., ZILCER, J. Visual Music: Synaesthesia in Art and Music Since 1900. London, Thames and Hudson, 2005.
  • Cage, J. Color and Meaning. Berkeley, 2000.
  • Campany, David. Art and Photography. Phaidon Press, 2003.
  • Císař, Karel (ed.). Co je to fotografie?. Hermann & synové, Praha, 2004.
  • Crary, J. Suspensions of Perception (Attention, Spectacle, and Modern Culture). MIT Press, 2001.
  • Danto, A. C. After the end of art: contemporary art and the pale of history. Afterall Books, London, 2014.
  • e-flux. The Internet Does Not Exist. Berlín: Sternberg Press, 2015.
  • e-flux. What is Contemporary Art?. Sternberg Press, Belín, 2010.
  • Green, R. Internet Art. Thames and Hudson, 2004.
  • GUÉRIN, R. Cubase SX Nahrávání, úprava a mixování hudby na počítači. Brno, Computer Press, 2004.
  • HALL, D., FIFER, S., J. Illumination Video: An Essential Guide to Video Art. New York, Aperture, 2005.
  • HEIDEGGER, M. Bytí a čas. Praha, Oikoymenth, 2008.
  • HERZOGENRATH, W., FRIELING, R. 40 year Videoart.de. Ostfildern, Hatje-Cantz, 2006.
  • HESS, R. Essential Blender. Amsterdam, Blender Foundation, 2008.
  • Holly, A., Moxey, K. (edit.). Art Historz, Aesthetics, Visual Studies. Sterling & Francine Art Institute, 2002.
  • Jenkins, H. Textual poachers: Television Fans and Participatory Culture (Studies in Culture and Communication). Routledge, 1992.
  • KUENZLI, E., R. Dada and Surrealist Fim. Boston, The MIT Press, 1996.
  • Lacy, S. (ed.). Mapping the Terrain. New Genre Public Art. Bay Press, Seattle, 1994.
  • Laruelle, F. The Concept of Non Photography. Urbanomic x Sequence Press, 2015.
  • Manovich, L. The Language of New Media. The MIT Press, 2001.
  • Paul, Ch. Digital Art. Thame& Hudson, London, 2003.
  • Pospiszyl, Tomáš (ed.). Před obrazem. Praha, 1998.
  • Rosenblum, Naomi. A World History of Photography. Abaville Press, New York, 1989.
  • Rosenblum, Naomi. A World History of Photography. Abbeville Press, New York, 1989.
  • Squiers, Carol. Over Exposed, Essays on Contemporary Photography. New Press, 1999.
  • Thompson, N. Seeing Power. Art and Activism in the 21 st Century. Melville House, 2014.
  • Tierney, T. Abstract Space: Beneath the Media Surface. Tailor and Francis, 2007.
  • Wallis, Brian; Tucker, Marcia. Art After Modernism, Rethinking Representation. David R. Godine Publisher, 1995.
  • Zuidervaart, Lambert. Art in Public, Politics, Economics and Democrati Culture. Cambridge University Press, 2011.


Study plans that include the course
Faculty Study plan (Version) Category of Branch/Specialization Recommended year of study Recommended semester
JAN EVANGELISTA PURKYNĚ UNIVERSITY IN ÚSTÍ NAD LABEM, date of update: 01.06.2024 23:51.