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Lecturer(s)
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Kolečková Zdena, prof. Mgr. Ph.D.
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Course content
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1. Developmental tendencies on the Czech theater scene after 1989, ensembles, showcases, festivals, contexts of contemporary theater, performative tendencies at the intersection of theater, audiovisual production, and visual arts, site-specific outputs 2. Theater in context - the spectacular society, politics of perception, and the aesthetics of responsibility 3. Basics of stage technology - space, light, and sound; audiovisual technology in relation to the realization of performances, theater, dance shows, concerts, and video installations 4.-5. General characteristics and typology of independent project production (small festivals, performances, concerts, open-air events, charitable activities) - specifics of outputs, concrete examples, administration and production, partnership collaborations, their utilization, and sustainability I, II 6. Detailed typology of selected model projects, interrelation and conditionality of their creative character and production background 7. Realistic budgeting: income and expenses, revenue, feasibility studies 8.-9. Multi-source financing - grant systems, current calls, practical exercises ? preparation of project/grant applications, accounting, audits I, II 10. Event organization, division of team members' responsibilities, timeline, key milestones in cultural event production, supporting team efficiency through internal challenges 11. Excursion 12. Practical example - project case study
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Learning activities and teaching methods
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unspecified, unspecified, unspecified
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Learning outcomes
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The one-semester course introduces students to the current state of the Czech theater scene and experimental (alternative) performative works at the intersection of visual and dramatic arts. It examines the principles of producing one-off performative events and festivals, audience acquisition, and competitiveness. Participants actively engage in discussions covering the basics of funding, grant applications, financial accounting, as well as the principles of staging theatrical performances (including directing, acting, dramaturgy, and scenography), encompassing the overall management of theatrical production projects. Within this framework, students delve into specific examples from theater practice, explore contemporary works by prominent theater ensembles, the dramaturgy of smaller festivals, and site-specific performances, as well as engage in comparative analysis of these elements. By the end of the semester, students will apply the knowledge and experience gained through a field trip and the implementation of their own project-based case study.
The acquired competencies represent the mastery and application of knowledge in the given field, based on the specific course description and aimed at fulfilling the graduate profile.
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Prerequisites
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Successful completion of previous studies
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Assessment methods and criteria
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unspecified
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Recommended literature
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BROCKETT, Oscar Gross. Dějiny divadla. Nakladatelství Lidové noviny, Institut umění ? Divadelní ústav, 2008. ISBN 978-80-7106-576-0.
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CIKÁNEK, Martin. Kreativní průmysly - ? příležitost pro novou ekonomiku. Praha: Institut umění ? Divadelní ústav, 2009. ISBN 978-80-7008-231-7.
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CÍSAŘ, Jan. Hmota v pohybu a prostoru. Praha: Disk 2004/10, 2004.
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DVOŘÁK, Jan. Malý slovník managementu divadla. Praha: Pražská scéna, 2005.
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KAISER, MIchael M. Strategické plánování v umění: praktický průvodce. Praha: Divadelní ústav, 2009. ISBN 978-80-7008-236-2. Praha: Institut umění, 2009. ISBN 978-80-7008-236-2.
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LEHMANN, Hans-Thies. Postdramatické divadlo. Bratislava: Divadelní ústav, 2007. ISBN 978-80-88987-81-9.
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MORGANOVÁ, Pavlína. Akční umění. Olomouc: Nakladatelství J. Vacl, 2009. ISBN 978-80-904149-1-4.
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NĚMEC, Michal. Význam kulturních a kreativních průmyslů v Evropské unii, České republice a hl. m. Praze.. Praha: Útvar rozvoje hl. m. Prahy, Odbor strategické koncepce, 2013.
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