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Lecturer(s)
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Imr Mráziková Eva, Mgr. Ph.D.
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Course content
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1. The End of Art History ? Old and New Methods of Studying Art 2. The Struggle Against Autonomous Art; Dadaist Strategies; The Author as Producer 3. Everyday Life, Responses to Popular Culture, and the Culture Industry 4. Art and Psychoanalysis 5. The Representation of the Body; Activism, Feminism, and Its Overlaps with Medicine, Social Sciences, and Neuroscientific Knowledge 6. The Linguistic Turn in Art History, The Signified and The Signifier, Minimalism, and Conceptual Art 7. Technical Image and New Media, Towards a Post-Production Strategy in Art 8. Postmodern Thinking, From Architecture to Philosophy, Appropriation, Ephemerality and Fluidity, Blurring of Boundaries 9. Visual Studies, The Influence of Mass Media and Advertising 10. Art Beyond the Gallery, Land Art 11. The Socialization of Art, Participation, Collaborative Art, Groups, and Communities 12. Installation Art, The Development of Installation Art and Its Influence on the Form of Visual Art for the New Millennium
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Learning activities and teaching methods
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unspecified, unspecified
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Learning outcomes
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The conception of the course enables students to adopt the basic terminology of art history and theory, applied art, and architecture. To achieve this aim, it will be necessary to discuss the conceptual apparatus of art history, and to study it by means of picture documentation. At the same time, the students will be acquainted with basic principles of heuristics and methodology of graphic art.
The gained capabilities constitute an encompassment and an aquirement of knowledge and experience in the given field of study, they result from a concrete annotation of the subject and are aimed at a profile´s fulfilment of the graduate of the given field of study.
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Prerequisites
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Successful completion of the previous study
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Assessment methods and criteria
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unspecified
written test
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Recommended literature
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Beltig, H. Konec dějin umění. Praha, MF, 2000.
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BIRNBAUM, Daniel. Defining contemporary art: 25 years in 200 pivotal artworks. New York, 2011. ISBN 0714862096.
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COTTON, Charlotte. The Photograph as Contemporary Art. Thames and Hudson, 2006.
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Eco, U. Dějiny krásy. Argo, Praha, 2005.
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FOSTER, Hal. Umění po roce 1900: modernismus, antimodernismus, postmodernismus. Translated by Josef Hrdlička - Irena Ellis - Jitka Sedláčková. Praha: Slovart, 2007.
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Heartney E. Art and Today. Phaidon, 2008.
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HORÁČEK R. Umění bez revolucí?. Muni Press, 2015.
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Kesner, L. Vizuální teorie: Současné anglo-americké myšlení o výtvarných dílech. 2005.
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Kol. autorů. Art at the Turn of Millenium. Köln, 1999.
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KULKA, Tomáš. Co je umění? Texty angloamerické estetiky 20. století. Pavel Mervart, 2011.
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MAIXNEROVÁ, M. #mm net art. Edice PAF Olomouc, 2014.
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STURKEN, Marita a Lisa CARTWRIGHT. Studia vizuální kultury. Praha: Portál, 2010. ISBN 978-80-7367-556-1.
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Woods, Tim. Beginning Postmodernism. Manchester University Press, 1999.
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