The course focuses on one particular medium of communication between art and society: the exhibition. The course provides basic concepts of museum- and exhibition studies (display, discursivity, white cube, funding, interpretation, curatorial, educational turn, performativity). 1. Museion, collection, studiolo, library, Wunderkammer. 2. The brief history of the museum: Private collections. 3. The brief history of the museum: Private museums. 4. The brief history of the museum: Public allowed museums. 5. The brief history of the museum: Public reactive museums. 6. The brief history of the museum: Public proactive museums. 7. The functions and activities of the modern museum (roles and responsibilities). 8. The brief history of the science of art history. 9. Russian avangarde exhibition design. 10. The white cube. 11. The criticism of the white cube. 12. Biennales, biennalisation. 13. The most relevant contemporary art museums of the global art Word.
The gained capabilities constitute an encompassment and an aquirement of knowledge and experience in the given field of study, they result from a concrete annotation of the subject and are aimed at a profile´s fulfilment of the graduate of the given field of study.
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Belting, H. Global Art as Contemporary Art. The Global Art World - Audiences, Markets, and Museums. Osfildern Hatje Canz, 2009.
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Bennett, T. The Exhibitionary Complex - The Birth of the Museum: History, Theory, Politcs. New York, Routledge, 1995.
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Bourriaud, N. Esthétique Relationelle. Dijon, 1998.
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Edson, G. and Dean, D. The Handbook for Museums. Routledge, London and New York, 1994.
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Greenberg, R.; Ferguson, B. W.; Mairne, S. Thinking about Exhibitions. Routledge, 1996.
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Harding, A. ed. Curating - The Contemporary Art Museum and Beyond. Art & Design 52/1997, 1997.
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http://tranzit.org/curatorialdictionary/index.php/dictionary. http://tranzit.org/curatorialdictionary/index.php/dictionary.
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Kester, G. Conversation Pieces: The Role of Dialogue in Socially Engaged Art. Theory inContemporary Art Since 1985, Blackwell, 2008.
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O' Neill, P. The Curatorial Turn: From Practice to Discourse. In. Issues in Curating Contemporary Art and Performance. Intellect Books, Bristol, 2007.
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Obrist, H. U. A Brief History of Curating. Zürich-Dijon, JRP Ringier-Les Presses, 2008.
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O´Doherty, B. . Inside the White Cube: The Ideology of the Gallery Space. University of California Press, 1999.
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