The subject represents a broad discussion forum reflecting the position of the photography in contemporary visual art based on analysis of events on the local, national, and European artistic scene, as well as the current social-cultural context. Generally, the seminar covers mainly the period between the 1970s and 2010s, which is characteristic for entrance of so-called new media, radical transformation of the photographic medium, transdisciplinarity, and multiculturalism connected with the ongoing globalization and deepening civilization and religious divergences often leading to a disharmonic social-political situation. Reflection of these trends is concurrently examined and documented based on exhibition programmes of prestigious Czech and foreign galleries and art museums, as well as world shows of contemporary art. In addition, the subject deals with issues related to the interpretation of an artwork via its installation and exhibition presentation. It works with themes following the socialization and community strategies in contemporary art and also refers to the issue of the crisis of exhibition institutions and the so-called institutional critique. 1. Principle of postproduction in visual art. 3. Principle of recycling and appropriation in visual art. 4. Postinternet art. 5. Current engaged (political) art, Occupy movement. 6. Street Art and art of subcultures. 7. DIY phenomenon, interconnection of contemporary art and design. 8. Art and science; online art. 9. Art, landscape, nature and sustainable development - land-art, eco-art, bio-art. 10. Searching for historical roots and links. 11. Abstraction in the era of virtual reality - simulacra and simulation. 12. World shows of contemporary art: Venice Biennale, Berlin Biennale, Kassel documenta, Skulptur Projekte Münster, Manifesta and other. Significant photography shows: Bratislava Month of Photography, Paris Photo Arles Photography Festival, FotoFest in Houston, Moscow Photo Biennale, International Festival of Photography in Łódź and other. 13. Excursions.
The gained capabilities constitute an encompassment and an aquirement of knowledge and experience in the given field of study, they result from a concrete annotation of the subject and are aimed at a profile´s fulfilment of the graduate of the given field of study.
|
-
Baudrillard, J. Simulacra and Simulation. Simulacra and Simulation, 1994.
-
Bradley, W.; Esche, Ch. (eds.). Art and Social Change. Tate Publishing, London, 2007.
-
Cubitt, S. On Video Culture. Routledge, 1991.
-
Danto, Artur C. After the end of art: contemporary art and the pale of history. Princeton Universtiy Press, Princeton, New Jersey, 1997.
-
DE OLIVEIRA, N., OXLEY, N., PETRY, M. Installation Art in the New Milennium. Londýn, Thames & Hudson, 2004.
-
Foster, H. Modernism, Antimodernism, Postmodernism. Thames and Hudson, 2004.
-
Gallander, Ann; Roberts, James. General Release. British Council, 1995.
-
Goldstein, Lawrence. The Female Body: Figures, Styles, Specifications. University of Michigan Press, 1991.
-
Grau, Oliver. Virtual Art: From Illusion to Immersion. MIT Press, 2004.
-
Greene, R. Internet Art. Thames and Hudson, London, 2004.
-
Jenkins, H. Convergence Culture: Where Old and New Media Collide. NYU Press, 2006.
-
Jones, Amelia. The Feminism and Visual Culture Reader. Routledge London, 2003.
-
Jones, C. A. Sensorium: Embodied Experience, Technology and Contemporary Art. The MIT Press, 2006.
-
kol. autorů. Anxiety of Influence, Bachelors, Brides and a Family Romance. Stadtgalerie Bern, 2004.
-
Koleček, Michal (ed.). In their Eyes. FUD UJEP, 2017.
-
Koleček, Michal. Framing of Art. Fakulta užitého umění a designu, UJEP, 2007.
-
Krauss, Rosalind. Perpetual Inventory. MIT Press, Cambridge - London, 2010.
-
Kwon, M. One Place After Another, Site Specific Art and Locational Identity. MIT Press: Cambridge, 2002.
-
Lacy, S. (ed.). Mapping the Terrain. New Genre Public Art. Bay Press, Seattle, 1994.
-
Lévy, Pierre. Kyberkultura. Karolinum, 2000.
-
Manovich, L. The Language of New Media. The MIT Press, 2001.
-
Marien, M. V. Photography. London, 2002.
-
McHugh, Gene. Postinternet. Notes on the Internet and Art. Link Edition, 2010.
-
Myers, W. Bio Art: Altred Realities. Thames and Hudson, 2015.
-
Paul, Ch. Digital Art. Thame& Hudson, London, 2003.
-
Quaranta, Domenico. Beyond New Media Art. LiNK Editions, Brescia, 2013.
-
Vartecká, Anna (ed.). Grey Gold. FUD UJEP, 2014.
-
Weintraub, L. Art on the Edge and Over: Searching for Art´s Meaning in Contemporary Society 1970s-1990s. Art Insights, 1997.
-
Williams, R.; Newton, J. H. Visual Communication: Integrating Media, Art and Science. Routledge, 2007.
-
Zizek, Slavoj. Living in the End Times. Verso Books, 2010.
-
Zizek, Slavoj. Violence. Big Ideas/Small Books. Verso Books, 2007.
|