| Course title | Selected chapters from modern and contemporary art I |
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| Course code | KDT/849 |
| Organizational form of instruction | Lesson |
| Level of course | Master |
| Year of study | 1 |
| Frequency of the course | Each academic year |
| Semester | Winter |
| Number of ECTS credits | 1 |
| Language of instruction | Czech, English |
| Status of course | Compulsory-optional |
| Form of instruction | unspecified |
| Work placements | unspecified |
| Recommended optional programme components | None |
| Lecturer(s) |
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| Course content |
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1. Defining the term concept of art - a comparison of art of W.A. Mozart and J. Cage. 2. The historical definitions and contexts of concepts of art. 3. Description of the components of the institutional frame of art. 4. The institutional frame of art as system of relations and interactions. 5. Defining the term dematerialisation. 6. Defining the term rematerialisation. 7. The theories of dematerialisation and rematerialisation. 8. Analysis and interpretation of art of K. Malevich from the aspect of dematerialisation. 9. Analysis and interpretation of art of M. Duchamp from the aspect of dematerialisation. 10. Analysis and interpretation of art of J. Kosuth from the aspect of dematerialisation. 11. Analysis and interpretation of art of Art and Language from the aspect of dematerialisation. 12. Analysis and interpretation of art of A. Warhol from the aspect of dematerialisation. 13. Analysis and interpretation of art of Gilbert and George from the aspect of dematerialisation.
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| Learning activities and teaching methods |
| unspecified, unspecified, unspecified |
| Learning outcomes |
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The topic is the process of dematerialisation and rematerialisation in visual art from the beginning of the 20th Century until contemporary art. The course investigates how the meaning has been displaced from the original physical object and visual phenomenon onto the original idea of artworks.
The gained capabilities constitute an encompassment and an aquirement of knowledge and experience in the given field of study, they result from a concrete annotation of the subject and are aimed at a profile´s fulfilment of the graduate of the given field of study. |
| Prerequisites |
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Successful completion of the previous study
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| Assessment methods and criteria |
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unspecified
Analysis of the selected problem of art (prezentation, essay - 10 pages) |
| Recommended literature |
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| Study plans that include the course |
| Faculty | Study plan (Version) | Category of Branch/Specialization | Recommended semester |
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