|
Lecturer(s)
|
-
Kuriš Martin, doc. MgA. Ph.D.
|
|
Course content
|
1. Introduction, defining semestral plan. 2.-9. Studio painting, analysis of a free project. 10.-11. Presentation, analysis and classification of the student's activity and their work.
|
|
Learning activities and teaching methods
|
|
unspecified, unspecified
|
|
Learning outcomes
|
During the course, students get acquainted (both theoretically and practically) with basic painting techniques and their application on grounds of various qualities. They use various painting techniques and their combinations, for example: Indian ink, aquarelle, gouache, tempera, both dry and oil pastels, wax colours, etc. At the same time, they are taught to be able to decide themselves, which technology and painting technique is the most adequate one for the particular artistic task or assignment, and also, which way is the most convenient related to their gradually developing creative expression and opinion. Assignments in the sphere of figurative painting get more difficult in time, from a still life and an object up to a head and figure (half figures and figures). Students have an opportunity to study a figure according to a live model. The painting course is based on gradual cultivating the student's expression and style with emphasis on purposeful expression. Besides figurative painting, students can also go in for abstract painting or interdisciplinary overlaps towards other graphic techniques. Teaching cannot be divided into weekly schedules - the pedagogical approach is strongly individualized, reflecting preferences and skills of the given group.
The gained capabilities constitute an encompassment and an aquirement of knowledge and experience in the given field of study, they result from a concrete annotation of the subject and are aimed at a profile´s fulfilment of the graduate of the given field of study.
|
|
Prerequisites
|
Successful completion of the previous study
|
|
Assessment methods and criteria
|
unspecified
Attendance
|
|
Recommended literature
|
-
BARTLOVÁ, Milena (ed.); BAXANDALL, Michael. Inteligence obrazů a jazyk dějin umění. Výbor z textů. UMPRUM, 2019.
-
CÍSAŘ, Karel (ed.). Obrazy a předobrazy. UMPRUM, 2019.
-
Eward Lucie-Smith. Art Today. Současné světové umění. Bratislava, 1996.
-
Gombrich, E. H. Příběh umění. Praha, 2006.
-
Gombrich, E. H. Umění a iluze. Argo, 2019.
-
Itten, Johanes. The Art of Color, The Subjective Experience and Objective Rationale of Color. Wiley, 1997.
-
Krausová, A. C. Dějiny malířství od Renesance k dnešku. Slovart, 1996.
-
Read, Herbert. A Concise History of Modern Painting. Thames and Hudson, 1991.
-
Schwabsky, Barry. New Perspectives in Painting. Phaidon Press, 2004.
|