Course: Selected chapters of typography

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Course title Selected chapters of typography
Course code KVK/FU050
Organizational form of instruction Lecture + Lesson
Level of course Bachelor
Year of study not specified
Semester Summer
Number of ECTS credits 1
Language of instruction Czech
Status of course Optional
Form of instruction Face-to-face
Work placements This is not an internship
Recommended optional programme components None
Lecturer(s)
  • Frič Pavel, MgA.
Course content
1. Jan Tchichold - Neue Typographie. 2. "New Principles" and Typography Today, by Robin Kinross. 3. Jon Wozencroft, Rudy VanderLans, Jonathan Barnbrook, Alesio Leonardi, Eric Spikermann. 4. David Reinfurt, Peter Bilak, James Langdon, Stuart Bailey, DotDotDot, Dexter Sinister. 5. Author - editor - typographer. 6. Wolfgang Wiengart, Paul Elliman, Karl Nawrot, Karel Martens, Teal Trigs. 7. Experiment - author - typographer. 8. Donald Knuth, Karl Gerstner, Gerard Unger, Jurg Lehni, Letterror. 9. Typographer - code - technology. 10.-11. Processing of semester output.

Learning activities and teaching methods
unspecified, unspecified
Learning outcomes
The course is designed as an optional course for students majoring in Graphic Design. The aim of the course is to acquaint students (focused on typographic creation) with the authors of theoretical texts, essays and ideas, essential for the context of historical and contemporary development of the field of typography. The course presents typography through active work with text in the form of research and editorial work. The semester output of the course is a brief collection / workbook / collection of research / thematically focused reader. Students thus become active editorial and graphic authors of the semester output. The content of the semester plan is 5 theoretically oriented lecture blocks - presentations and comments on selected published texts of personalities of the typographic scene and 4 discussion blocks related to the above topics, based on on searches and editorial work with text.

Prerequisites
Successful completion of the previous study

Assessment methods and criteria
unspecified
1. Fulfililing partial tasks and assignments throughtout the semestr 2. Active participation in the Studio tutoring
Recommended literature
  • Armstrong, Helen. Graphic design Theory: readings from the field. New York: Princeton Architectural Press, 2009.
  • BALUŠÍKOVÁ, Johanna; ZÁRUBA, Alan. We want you to love type: e-a-t experiment and typography: a selection of contemporary Czech and Slovak work (1985-2004). The Hague: Typotheque, 2005.
  • BLAUVELT, A.; LUPTON, E. (eds.). Graphic Design: Now in Production. Walker Art Center, Minneapolis, 2012.
  • BRODY, Neville; WOZENCROFT, Jon. FUSE 1-20. Kőln: Taschen, 2012.
  • GERSTNER, Karl; MÜLLER, Lars (ed.). Designing Programmes. Zurich: Lars Müller Publishers, 2018.
  • HENK, H.; LENTJES, E. The Triumph of Typography: Culture. Communication. New Media. Lannoo Publishers, 2015.
  • KINROSS, Robin; NEURATH, Marie. Modern typography: an essay in critical history. 2nd ed. London: Hyphen Press, 2004.
  • MARTENS, K.; TRIEST, J.; KINROSS R. (ed.). Printed matter = Drukwerk. 3rd ed. London: Hyphen, 2010.
  • NAWROT, Karl. Mind Walks. Amsterdam: Idea Books & Rollo Press, 2018.
  • POYNOR, Rick. Jan van Toorn - Critical Practice. Rotterdam, 2008.
  • TRIGGS, Teal. Radical Type Design. New York: Harper Design Intl, 2005.
  • TSCHICHOLD, Jan. The Principles of the New Typography. Oakland: UC Press, 2006.
  • UNGER, Gerard. Typography as a vehicle of science. Inaugural Speech, Leiden University, 2007.


Study plans that include the course
Faculty Study plan (Version) Category of Branch/Specialization Recommended year of study Recommended semester