The Bachelor's degree strives for a maximum scope of work in applied graphics, and acquainting with graphic techniques and technologies. The follow-up Master's degree course focuses even more on specific qualities and skills of the student. When assigning and solving tasks, the student's individual dispositions, skills and interests are taken into account, having respect to their ideas of future professional career too. Pursuant to specification of personal approaches and plans of the students, the course will be based on assigned tasks and their individual fulfillment in the form of independent analysis and discussion.
After completing the first semester of the Master's programme of study at the Studio, the student is able to think independently. They are able to process requirements for creative work and to determine a time schedule of work. The student can explain, describe, and defend their own solution of the whole project. They can develop an acceptable and clear graphic design and can explain the main idea and principles of the solution. The student can design personal, original graphic solution of the assigned task and defend it.
|
-
Armstrong, Helen. Graphic design Theory: readings from the field. New York: Princeton Architectural Press, 2009.
-
Bohatec, M. Konstruktivistická teorie knižní tvorby. Estetika, Praha, 1964.
-
František Štorm. Revolver revue.
-
Garr, Reynolds. Prezentace a zen. Zoner Press Brno, 2009.
-
Hillner, Matthias. Virtual typography. Lausanne, Switzerland: AVA Publishing, 2009.
-
Hoeks, Henk and Ewan Lentjes. The Triumph of Typography: Culture. Communication. New Media. London: Lannoo Publishers, 2015.
-
Klanten, Robert; Sven Ehmann and Adeline Mollard (eds.). Regular graphic design today. Berlin: Gestalten, 2009.
-
Kočička, Pavel; Blažek, Filip. Praktická typografie. Computer press, 2000.
-
Kolektiv autorů. Graphic design: Now in production. NY: Walker Art Center/Cooper-Hewitt National Design Museum, 2011.
-
Lupton, Ellen. Thinking with typ: a critical guide for designers, writers, editors, students. New York: Princeton Architectural Press, 2010.
-
Martens, Karel; Jaap van Triest & Robin Kinross (ed.). Printed matter = Drukwerk. London: Hyphen Press, 2010.
-
Metahaven (eds.). Uncorporate Identity. Lars Muller Publisher, Baden, 2010.
-
Muzika, František. Krásné písmo. Paseka, 2005.
-
PECINA, M. Knihy a typografie. Brno, 2011.
-
periodikum Eye. periodikum Eye.
-
periodikum Graphic. periodikum Graphic.
-
periodikum Slanted. periodikum Slanted.
-
Poynor, Rick. Design without boundaries: visual communication in transition. London: Booth-Clibborn, 1998.
-
Poynor, Rick. No more rules: graphic design and postmodernism. Mini ed. London: Laurence King, 2013.
-
Rock, Michael. Multiple signatures: on designers, authors, readers and users. New York: Rizzoli International Publications, 2013.
-
Rossman, Z. Písmo a fotografie v reklamě. Index, Olomouc, 1938.
|