|
Lecturer(s)
|
-
Holý Stanislav, MgA.
-
Mochal Marcel, MgA.
|
|
Course content
|
These informations are in the annotation of the course.
|
|
Learning activities and teaching methods
|
|
unspecified, unspecified, unspecified
|
|
Learning outcomes
|
In our studio, design and art are communicating vessels and this balance of disciplines results in education based on a broad range of semester outputs and short-term assignments. Students meet real projects, find out what their discipline needs and learn to communicate and present their solutions accordingly. The standard of studio teaching is the development of classical art techniques and digital design. For us, designer is a universal and contemporary creator who can feel the shape, proportion, composition, and understands the task he or she can solve. Graduates of our studio are humble persons able to adapt to the needs of their employers or to courageously enter the art market and not only in the field of glass. Our studio offers the best background and experience for studying glass in its forms of a product, artefact or installation.
The student is able to collect information about the theme they have decided for in the library, on the Internet, by means of seeing exhibitions both at home and abroad, as well as through lectures they attend. The student is able to materialize the work. They can formulate their project, discuss further steps with their tutor, and cooperate with the Department of History and Theory of Art and with curatorship students on text documentation. The student is able to organize and place the project, and can present it convincingly by means of different media. The student is able to defend their work before the expert committee.
|
|
Prerequisites
|
Successful completion of the previous study
|
|
Assessment methods and criteria
|
unspecified
1. Realization and presentation of the final work according to the assigned theme 2. Defence of the final work in writing 3. Oral defence of the final work as part of the defence procedures 4. Credit for Studio and Workshops course
|
|
Recommended literature
|
-
Neue Glass.
-
Sklář a keramik.
-
63ConnaughtStreet.
-
Drazin, A. Anthropology and Design. Routledge, 2017.
-
Hubatová-Vacková, L.; Pachmanová, M.; Pečínková, P. (eds.). Věci a slova. Umělecký průmysl, užité umění a design v české teorii a kritice 1870-1970. UMPRUM, Praha, 2014.
-
Hubatová-Vacková, L.; Zapletal, T. (eds.). Věda, průmysl a umění. UMPRUM, Praha, 2016.
-
Knobloch, I.; Vondráček, R. (eds.). Design v českých zemích 1900-2000. Academia, 2016.
-
Nováková, P. Příběhy věcí - 100 artefaktů za posledních sto let. Labyrint, 2017.
-
Petrová, Sylva. České sklo. Gallery, 2001.
-
Rawsthorn, Alice. Zdravím, světe: jak design vstupuje do života. Kniha Zlín, 2014. ISBN 978-80-7473-2263.
-
Ricke, Helmut (ed.). Czech Glass 1945 - 1980 / Design in an Age of Adversity, ARNOLDSCHE Art Publishers. Stuttgart, 2005.
-
Sudjic, Deyan. 63 Connaught Street. B. jako Bauhaus. Kniha Zlín, 2016. ISBN 978-80-7473-322-2.
-
Weschenfelder, Klaus (ed.). Coburg Glaspreis 2006, VG Bildkunst. Bonn, 2006.
|