Course: Studio and Workshops II - semestral project

» List of faculties » FUD » KEO
Course title Studio and Workshops II - semestral project
Course code KEO/130
Organizational form of instruction no contact
Level of course Master
Year of study not specified
Frequency of the course Each academic year
Semester Summer
Number of ECTS credits 8
Language of instruction Czech
Status of course Compulsory
Form of instruction unspecified
Work placements unspecified
Recommended optional programme components None
Lecturer(s)
  • Kopřiva Pavel, doc. Mgr.A. Ph.D.
Course content
These informations are in the annotation of the course.

Learning activities and teaching methods
unspecified, unspecified, unspecified
Learning outcomes
Digital technologies are the centre of gravity of the contemporary visual culture. The Studio works like a laboratory suitable for experimenting with media, which aim is to fill their functions with other contents. We use interactivity as a phenomenon appropriate for formulating relations. The interest of the Studio is extending massively from a line of a single medium (e.g.) photography) to a combination of many media. The main creative means of the Studio are computers, audiovisual technologies, and internet interactive installations. The students can learn about benefits of new technologies in creative, artistic areas. The Studio uses information and communication technologies in a creative way to realize new forms of art. "Art of all senses".
The student can design a comprehensive peculiar artistic project, the dominant feature of which is interactivity. They are able to perform the final implementation using active elements. The student can use adequate technical and technological tools to serve the meaning of the work being implemented. They are able to choose a medium exactly corresponding with the designed meaning and the form of the project. The student can understandably describe individual thought processes of their work origin. They can write a basic defence and based on theoretical context, they are able to present the work before the committee. The student can contextualize their work in the development of contemporary art. They can design and implement installation of their work, including the space solution.
Prerequisites
Successful completion of the previous study

Assessment methods and criteria
unspecified
1. Realization and presentation of the final work according to the assigned theme 2. Defence of the final work in writing 3. Oral defence of the final work as part of the defence procedures 4. Credit for Studio and Workshops course
Recommended literature
  • Časopis. Leonardo. MIT Press, 1968-2007.
  • DE OLIVEIRA, N., OXLEY, N., PETRY, M. Installation Art in the New Milennium. Londýn, Thames & Hudson, 2004.
  • Dixon, Steve. Digital Performance (A History of New Media in Theater, Dance, Performance Art, and Installation). MIT Press, Boston, 2007.
  • Fishwick, Paul A. Aesthetic Computing. MIT Press, 2006.
  • Katalogy. Dokumenta-Kassel, Bienalle-Benátky, Ars Electronica-Linec, EnterMultimediale-Praha.
  • Mark, Tribe; Reena, Jana. New media art. Taschen, 2005.
  • Marzona, Daniel. Conceptual Art. Taschen, 2004.
  • Mink, Janis. Duchamp Marcel. Taschen, 2001.
  • Popper, Frank. From Technological to Virtual Art. MIT Press, 2007.
  • Ruhrberg; Schneckenburger; Frickeová; Honnef. Umění 20. století (Díl 1, 2). Taschen, 2004.
  • Spielmann, Yvonne. Video (The Reflexive Medium). Frankfurt/Main, 2005.
  • Sylvia, Martin. Video Art. Taschen, 2005.
  • Wilson, Stephen. Information Arts (Intersections of Art, Science, and Technology). MIT Press, 2001.


Study plans that include the course
Faculty Study plan (Version) Category of Branch/Specialization Recommended year of study Recommended semester