Course: Studio and Workshops I

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Course title Studio and Workshops I
Course code KEO/121
Organizational form of instruction Lecture + Lesson
Level of course Master
Year of study not specified
Frequency of the course Each academic year
Semester Winter
Number of ECTS credits 3
Language of instruction Czech
Status of course Compulsory
Form of instruction unspecified
Work placements unspecified
Recommended optional programme components None
Lecturer(s)
  • Thelenová Michaela, doc. Mgr.
Course content
These informations are in the annotation of the course.

Learning activities and teaching methods
unspecified, unspecified, unspecified, unspecified
Learning outcomes
The study in the Studio of Digital Media focuses especially on work with both static and dynamic digital image and on searching for possibilities to interconnect them. During the four-year course, students work with the photography, video, digital animation, and as a matter of course, they are free to overlap into classical media. Individual semesters deal with specific themes. The primary aim of the Studio is to lead students in a way and direction that helps them to reflect a given topic meaningfully, using adequate formal means, and clearly express their ideas. The activities of the Studio are entirely in the area of artistic creation; however, organization of the course makes it possible to give the students opportunity to acquire necessary technological knowledge and experience when fulfilling the given assignments, working with particular programs(Photoshop, Premiere, Flash, etc.).Tuitions also give much attention to debates about current events in contemporary visual art.
- the student is able to employ their experience and skills acquired during the Bachelor's studies - they can perform an analysis of assigned themes in terms of the concept, as well as of possibilities of their technical processing - as part of the studio tutoring, they are capable of discussion with their teachers and peers - they are able to choose suitable procedures and use appropriate means to solve the assigned tasks - they are able to reflect the topic being processed in consideration of their knowledge of contemporary art - they can process partial semestral tasks systematically - they can use digital tools in work with photography, video, and sound appropriately - they manage basic work at specialized worksites of the Faculty in cooperation with experts (audiovisual studio, photographic workshop)
Prerequisites
Successful completion of the previous study

Assessment methods and criteria
unspecified
1. Fulfilling partial tasks and assignments all over the semester 2. Active participation in the Studio tuitions
Recommended literature
  • Barthes, Roland. Světlá komora. Archa, Bratislava, 1994. ISBN 80-86603-28-8.
  • Baumann, Z. Tekutá modernita, Praha. Praha, 2002.
  • Bordwell, David; Thompsonová, Kristin. Umění filmu, Úvod do studia formy a stylu. AMU Praha, 2011.
  • Bourriaud, N. PostProduction. Tranzit Praha, 2004. ISBN 80-903452-0-4.
  • Brigit, Susan. Art Photography Now. Thames and Hudson, 2005.
  • Casetti, Francesco. Filmové teorie 1945 - 1995. AMU Praha, 2009.
  • Císař, Karel (ed.). Co je to fotografie?. Hermann & synové, Praha, 2004.
  • Cotton, Charlotte. The Photographs as Contemporary Art. Thames and Hudson, 2004.
  • časopisy - Umělec, Fotograf, Flash Art, Camera Austria, Frieze, Praesens apod. **.
  • Flusser, V. Do univerza technických obrazů. OSVU, 2001.
  • Flusser, Vilém. Za filosofii fotografie. Hynek, Praha, 1994.
  • Fogle, Douglas. The Last Picture Show: Artists Using Photography 1960-1982. Walker Art Centre, 2003.
  • Grau, Oliver. Virtual Art: From Illusion to Immersion. MIT Press, 2004.
  • Greene, Rachel. Internet Art. Thames and Hudson, 2004.
  • HERZOGENRATH, W., FRIELING, R. 40 year Videoart.de. Ostfildern, Hatje-Cantz, 2006.
  • Kesner, L. ml. Muzeum umění v digitální době. Argo a NG, Praha, 2000.
  • L. Kesner. Vizuální teorie. Praha, 1997.
  • McLuhan, M. Člověk, média a elektronická kultura. Brno, 2002.
  • MONACO ,J. Jak číst film: Svět filmů, médií a multimédií.. Praha, Albatros, 2004. ISBN 80-00-01410-6.
  • Paul, Christiane. Digital Art. Thames and Hudson, 2015.
  • POPPER, F. From Technological to Virtual Art. Boston, The MIT Press, 2007.
  • RUSH, M. New Media in Art. Londýn, Thames & Hudson, 2005.
  • RUSH, M. New Media in Late 20th Century. Londýn, Thames & Hudson, 2005.
  • RUSH, M. Video Art. Londýn, Thames & Hudson, 2003.
  • Sontagová, S. O fotografii. Paseka, 2002.
  • Spector, Nancy. Contemporary Photography and Video from the Guggenheim Collection. Guggenheim Collection, 2003.
  • Struken, M.; Cartwrihht L. Studia vizuální kultury. Praha: Portál, 2009.
  • WEIBEL, P., SHAW, J. Future Cinema, The Cinematic Imaginary After Film. Boston, The MIT Press, 2003.
  • ZÁLEŠÁK, J. Umění spolupráce, VVP-AVU, Praha. Brno, Masarykova univerzita, 2011.


Study plans that include the course
Faculty Study plan (Version) Category of Branch/Specialization Recommended year of study Recommended semester