Course: Studio and Workshops VII - semestral project

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Course title Studio and Workshops VII - semestral project
Course code KEO/014
Organizational form of instruction no contact
Level of course Bachelor
Year of study not specified
Frequency of the course Each academic year
Semester Winter
Number of ECTS credits 14
Language of instruction Czech
Status of course unspecified
Form of instruction unspecified
Work placements unspecified
Recommended optional programme components None
Course availability The course is available to visiting students
Lecturer(s)
  • Thelenová Michaela, doc. Mgr.
Course content
These informations are in the annotation of the course.

Learning activities and teaching methods
unspecified, unspecified, unspecified
Learning outcomes
The study in the Studio of Digital Media focuses especially on work with both static and dynamic digital image and on searching for possibilities to interconnect them. During the four-year course, students work with the photography, video, digital animation, and as a matter of course, they are free to overlap into classical media. Individual semesters deal with specific themes. The primary aim of the Studio is to lead students in a way and direction that helps them to reflect a given topic meaningfully, using adequate formal means, and clearly express their ideas. The activities of the Studio are entirely in the area of artistic creation; however, organization of the course makes it possible to give the students opportunity to acquire necessary technological knowledge and experience when fulfilling the given assignments, working with particular programs(Photoshop, Premiere, Flash, etc.).Tuitions also give much attention to debates about current events in contemporary visual art.
The gained capabilities constitute an encompassment and an aquirement of knowledge and experience in the given field of study, they result from a concrete annotation of the subject and are aimed at a profile´s fulfilment of the graduate of the given field of study.
Prerequisites
Successful completion of the previous study

Assessment methods and criteria
unspecified
1. Realization and presentation of the final work according to the assigned theme 2. Defence of the final work in writing 3. Oral defence of the final work as part of the defence procedures 4. Credit for Studio and Workshops course
Recommended literature
  • Arheim Rudolf. Art and Visual Perception, A Psychology of the Creative Eye. California University Press, 2004.
  • Arheim, Rudolf. Visual Thinking. California Universiry Press, 2004.
  • Barthes, Roland. Světlá komora. Archa, Bratislava, 1994. ISBN 80-86603-28-8.
  • Bourriaud, N. PostProduction. Tranzit Praha, 2004. ISBN 80-903452-0-4.
  • Brigit, Susan. Art Photography Now. Thames and Hudson, 2005.
  • Císař, Karel (ed.). Co je to fotografie?. Hermann & synové, Praha, 2004.
  • Cotton, Charlotte. The Photographs as Contemporary Art. Thames and Hudson, 2004.
  • časopisy - Umělec, Fotograf, Flash Art, Camera Austria, Frieze, Praesens apod. **.
  • Flusser, Vilém. Za filosofii fotografie. Hynek, Praha, 1994.
  • Fogle, Douglas. The Last Picture Show: Artists Using Photography 1960-1982. Walker Art Centre, 2003.
  • Grau, Oliver. Virtual Art: From Illusion to Immersion. MIT Press, 2004.
  • Greene, Rachel. Internet Art. Thames and Hudson, 2004.
  • Kesner, L. ml. Muzeum umění v digitální době. Argo a NG, Praha, 2000.
  • L. Kesner. Vizuální teorie. Praha, 1997.
  • McLuhan, M. Člověk, média a elektronická kultura. Brno, 2002.
  • Paul, Christiane. Digital Art. Thames and Hudson, 2015.
  • Rush, Michael. New Media in Art. Thames and Hudson, 2004.
  • Sontagová, S. O fotografii. Paseka, 2002.
  • Spector, Nancy. Contemporary Photography and Video from the Guggenheim Collection. Guggenheim Collection, 2003.


Study plans that include the course
Faculty Study plan (Version) Category of Branch/Specialization Recommended year of study Recommended semester