The workshop introduces the participants to the issues of curatorial activities from a theoretical and practical point of view. Focuses on the contemporary art scene in the context of curation in the Czech Republic with regard to world developments. Comprehensively introduces the student to gallery operations ? preparation of a curatorial theme, selection of artists, financing, implementation and PR strategy, etc. Students are involved in gallery programs following FUD (Galerie Rampa, Billboart Gallery, etc.). At the same time, they are preparing for publication a catalog of their exhibition from the previous academic year, which includes the inclusion to FUD's editorial activity, proofreading, translation and submission to the press up to book PR and baptism.
The gained capabilities constitute an encompassment and an aquirement of knowledge and experience in the subject and are aimed at a profile´s fulfilment of the graduate of the given field of study.
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BAKEŠ, R., BAKEŠ, L. (eds.). Model 11-21. Berlínskej model, Praha, 2022.
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BERTRAND, S. Contemporary Curating, Artistic Reference and Public Reception: Reconsidering Inclusion, Transparency and Mediation in Exhibition Making Practice. Taylor & Francis, London, 2021.
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FRENCH, J. Inclusive curating in contemporary art: a practical guide. ARC Humanities Press, Yorkshire, 2021.
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GREEN, A. When artists curate: contemporary art and exhibition as medium. Reaktion books, London, 2018.
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GREENBERG, R.; B. W. FERGUSON a S. NAIRNE (ed.). Thinking about exhibitions. Routledge, Taylor & Francis Group, London, 1996.
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HLAVÁČKOVÁ, J. (eds.). Věštění z noční oblohy částečně zakryté mraky. Role fotografie v postmediální době. GHMP, Praha, 2022.
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JEŘÁBKOVÁ, E. Zvuky krize. CPSU, Praha, 2020.
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KORECKÝ, D. (ed.). Médium kurátor: Role kurátora v současném českém umění. Fra, Praha, 2009.
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MARINCOLA, P. What Makes A Great Exhibition?. Philadelphia, Philadelphia Exhibition Initiative, 2010.
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MORGANOVÁ, P.; NEKVINDOVÁ, T.; SVATOŠOVÁ, D. Výstava jako médium. České umění 1957-1999. AVU, Praha, 2020.
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O'DOHERTY, B. Uvnitř bílé krychle: ideologie galerijního prostoru.. tranzit.cz, Praha, 2014.
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Pachmanová, M. (ed.). Ex-pozice. O vystavování muzejních sbírek umění, designu a architektury. UMPRUM, 2018.
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Schubert, K. The Curator´s Egg: The Evolution of the Museum Concept From the French Revolution to the Present Day. London, 2009.
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SMOLÍKOVÁ, M. (ed.). Management umění. VŠUP, Praha, 2008.
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SÝKOROVÁ, L. Konečně spolu: česká nezávislá galerijní scéna 1990-2011. FUD UJEP, Ústí nad Labem, 2012.
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VEST HANSEN, M. (eds.). Curatorial Challenges: Interdisciplinary Perspectives on Contemporary Curating. Taylor & Francis, Bosa Roca, USA, 2019.
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ZÁLEŠÁK, J. Umění spolupráce, VVP-AVU, Praha. Brno, Masarykova univerzita, 2011.
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ŽEROVC, B. When attitudes become the norm: the contemporary curator and institutional art.. Igor Zabel association for Culture and Theory, Ljubljana, 2018.
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