| Course title | History of Modern and Contemporary Central - European Arts II |
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| Course code | KDT/862 |
| Organizational form of instruction | Lecture |
| Level of course | Master |
| Year of study | not specified |
| Frequency of the course | Each academic year |
| Semester | Summer |
| Number of ECTS credits | 3 |
| Language of instruction | English |
| Status of course | Compulsory |
| Form of instruction | unspecified |
| Work placements | unspecified |
| Recommended optional programme components | None |
| Course availability | The course is available to visiting students |
| Lecturer(s) |
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| Course content |
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These informations are in the annotation of the course.
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| Learning activities and teaching methods |
| unspecified, unspecified, unspecified, unspecified |
| Learning outcomes |
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The course is devoted to contemporary art in Central European region and issues connected with this geographical and cultural phenomenon. It deals with delimitation, identity and current self-reflection of this region and art in individual countries determined by international and national trends and traditions. The subject contributes to understanding diversities of national cultures and follows their mutual influence and penetration, including impulses coming from the Western culture and extra-European cultures. The theme of this course is a reflection of the "post-soc" environment in the art of Central Europe, including a lecture on the historical and political context of the countries in the former "socialist" bloc. It focuses on presentation of exhibition and research projects aimed inter alia at establishing new terminology and methodology for analysis of art in the region. 1. Conclusion of already tought topics (winter semester); presentation of students projects. 2. Analysis of art of N. Rauch from the aspect of "post-soc" condition. 3. Interpretation of art of N. Rauch from the aspect of "post-soc" condition. 4. Analysis and interpretation of art of A. Lakner from the aspect of "post-soc" condition. 5. Interpretation of art of A. Lakner from the aspect of "post-soc" condition. 6. Analysis of art of T. Gotovac from the aspect of "post-soc" condition. 7. Analysis and interpretation of art of T. Gotovac from the aspect of "post-soc" condition. 8. Analysis of art of N. Solakov from the aspect of "post-soc" condition. .9 Interpretation of art of N. Solakov from the aspect of "post-soc" condition. 10. Analysis of art of Little Warsaw duo from the aspect of "post-soc" condition. 11. Interpretation of art of Little Warsaw duo from the aspect of "post-soc" condition. 12. Conclusion of already tought topics (summer semester); presentation of students projects. 13. Current research projects and conferences aiming to establish new theories.
The gained capabilities constitute an encompassment and an aquirement of knowledge and experience in the given field of study, they result from a concrete annotation of the subject and are aimed at a profile´s fulfilment of the graduate of the given field of study. |
| Prerequisites |
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Successful completion of the previous study
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| Assessment methods and criteria |
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unspecified
Oral exam |
| Recommended literature |
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| Study plans that include the course |
| Faculty | Study plan (Version) | Category of Branch/Specialization | Recommended semester |
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