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Lecturer(s)
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Course content
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The course in full-time form covers the following topics by individual weeks: 1. Metals and their alloys, their degradation and conservation. 2. Wood and causes of its degradation. 3. Wood surface treatment (interior furniture and related equipment). 4. The bell as a monument, restoration and care for it. 5. Development of wood conservation methods. 6. Petrification of wood and its consequences. 7. Polychrome sculptures made of wood and their restoration in various contexts. 8. Hanging and panel paintings, their restoration. 9. Historical musical instruments - organs (machines and their cases - characteristics). 10. Historical musical instruments of the keyboard - conservation and restoration. 11. Glass, textiles and other arts and crafts materials - conservation. 12. Excursion - presentation of selected restoration action. 13. Excursion - selected restoration event. 14. Importance of preventive preservation.
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Learning activities and teaching methods
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unspecified, unspecified, unspecified, unspecified
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Learning outcomes
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The aim of the course is to familiarize students with the issues of conservation and restoration processes in the basic areas of movable monuments of artistic and arts and crafts character, including the basic principles of preventive care and conservation. It includes the characteristics of basic materials and arts and crafts and art techniques, including the problems of material degradation, and an indicative overview of the methods of initial professional research and the conservation or restoration process itself. Emphasis is placed on the definition of the contribution of the expert - heritage worker to the course of the restoration process (historical, iconographic documents and methodological principles as an important prerequisite for the final interpretation); There is also an introduction to related sources and literature, including interdisciplinary contexts. The series of lectures concludes with a final presentation of the restoration action chosen according to the current situation in the region.
The graduate is able to work independently with literature serving as supporting material to expand knowledge of the work intended for conservation - restoration (official documents, restoration reports, documentation photographs, restoration laboratory surveys). It can use this information, for example, to specify lost iconographic details of a particular work of art, technologies used in the past, to define inviolable values of the work, accessories, etc. He possesses knowledge of basic sources and the scientific literature for interventions and transformations on the work of art intended for restoration and basic knowledge of period technologies and contemporary methods of restoration survey. The graduate will use the acquired skills and knowledge especially in the sphere of practical care of cultural monuments and collection funds (documentation and adherence to optimal climate and visitor regime in relation to collections).The graduate is able to work independently with literature serving as supporting material to expand knowledge of the work intended for preservation - restoration (official documents, restoration reports, documentation photographs, restoration services).
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Prerequisites
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Basic orientation in the history of art is necessary, basic passive knowledge of German and Latin is desirable, as well as basic awareness of contemporary monument legislation
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Assessment methods and criteria
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unspecified
The premise is a 50% participation rate in full-time teaching, It is also envisaged to engage in a discussion on a specific conceptual problem from the topic presented. The grant of a credit is conditional on a debate on the subject of damage characteristics and the concept of restoration or preservation intervention on a self-selected artefact (it can also be submitted in writing).
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Recommended literature
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Barbora A. HŘEBÍČKOVÁ. Recepty starých mistrů aneb malířské postupy středověku. Brno, 2006.
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Bohuslav SLÁNSKÝ. Technika malby I, Technika malby II. Praha, 1955.
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Césare BRANDI. Teorie restaurování. Kutná Hora, 2000.
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Ivana KOPECKÁ a kol. Preventivní péče o historické objekty a sbírky v nich uložené. Praha, 2002.
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Ivana KOPECKÁ-Vratislav NEJEDLÝ. Průzkum historických materiálů. Praha, 2005.
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Jiří BELIS-Petr KOUKAL-Radek LUNGA-Radek REJŠEK. Péče o varhany a zvony, jejich památková ochrana. Praha, 2006. ISBN 80-86234-88-6.
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Kolektiv. Základy muzejní konzervace. Brno, 1989.
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Ludvík LOSOS. Pozlacování a polychromie. Praha, 2005.
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Roman KUBIČKA-Jiří ZELINGER. Výkladový slovník malířství, grafika, restaurátorství. Praha, 2004.
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Salvador Muňoz VIŇAS. Současná teorie konzervování. Pardubice, 2015.
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Zdeněk HOLÝ. Transparentní povrchové úpravy na mobiliáři ze dřeva. Praha. 2022, ISSN 1210-5538.
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