|
Lecturer(s)
|
|
|
|
Course content
|
The course in the face-to-face form includes the following topics by week: 1. Introduction to the issue, history of photographic documentation 2. Basics of digital photography. 3. Introduction to photographic technology 4. - 5. Theoretical basics of image composition and ideal exposure settings 6. - 7. Practical demonstration of acquired skills. Demonstration of documentation and special lighting of a material source. 8. Theoretical introduction to editing photographs in a graphic editor. 9. Introduction to the issue of digital video with a focus on documentation of tangible cultural heritage 10. - 11. Basics of working with technology. 12. The audio component of the image. Options for recording an accompanying commentary 13.. Options for subsequent software processing of the recorded recording 14. Final evaluation of students' work.
|
|
Learning activities and teaching methods
|
|
unspecified, unspecified, unspecified
|
|
Learning outcomes
|
The aim of the course is to familiarize students with both the theoretical and, above all, the practical basics of digital photography and digital video. The course is divided into a theoretical and a practical part. The theoretical part will focus on learning the basic issues of photography and video - the history of photography, the general definition of photography and video, technical parameters and possible uses of the necessary technology, the structure and composition of the image, image composition, and an introduction to basic editing programs.
Course graduates acquire knowledge and practical skills that can be used in audiovisual and photographic activities aimed at the basic documentation or promotion of monuments, movable monuments, etc. In addition to working with recording equipment (still camera, video cameras, spherical camera, podcast studio), they also acquire competences in processing and editing recordings in the environments of relevant software and applications.
|
|
Prerequisites
|
none
|
|
Assessment methods and criteria
|
unspecified
Participation in lectures with no more than three absences, study of literature, documentation of a small monument in the form of a seminar paper, active participation in the discussion
|
|
Recommended literature
|
-
ADLER, Rudolf a MYSLÍK, Jiří. ABCD-- pro všechny: film a video. Hradec Králové, 2006. ISBN 80-239-8241-9.
-
BARAN, Ludvík a BOJANOVSKÝ, Ilja. Úvod do filmového obrazu: určeno pro posl. fak. filmové a televizní. Praha, 1987. ISBN 80-239-8241-9.
-
Bezděk, Ladislav a Frouz, Martin. Digitální a digitalizovaná fotografie pro vědecké účely v praxi památkové péče. Praha. 2014.
-
Bezděk, Ladislav et. al. Barevná fotodokumentace mobiliárních fondů hradů a zámků: metodika standardního postupu při zhotovování barevné fotodokumentace jako součásti Základní evidence mobiliárních fondů hradů a zámků. Praha, 2000. ISBN 80-86234-09-6.
-
Freeman, Michael. Perfektní expozice: expozice pro lepší (digitální) fotografie. Brno. 2009.
-
NICHOLS, Bill. Úvod do dokumentárního filmu. Praha: Nakladatelství Akademie múzických umění, 2011. ISBN 978-80-7331-606-8.
-
OLSENIUS, Richard. Digitální video; přehledný průvodce. Praha, 2009.
-
VALUŠIAK, Josef. Základy střihové skladby. NAMU, 2017. ISBN 978-80-7331-455-2.
-
ZAPLETAL, Petr. Videotechnika; tv, videorekordéry, videokamery, příslušenství a jak správně natáčet. Olomouc, 1997.
|